Fans as Lead Users

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Eric von Hippel coined the term ‘lead user’ in 1986 while identifying sources of innovation. According to von Hippel, a lead user was a user that exhibited novel behaviors by being both an early adopter of technology and an early adapter of technology. These are people who are quick to join a new platform and adapt that platform and other existing technology in unforeseen ways. von Hippel asserts that these users are important to focus on because they may demonstrate adaptations that could spread to the wider population.

In Fanning the Audience’s Flame, (Ford, Jenkins, and others) the team writes that fans are often lead users for media properties and that “lead users are valuable to understand because their tastes anticipate untapped potentials within the marketplace.” (p 23) The team explains how fans and their efforts have helped science fiction programs like Lost which work on long and complex narrative threads sustain themselves when sci-fi was once entirely episodic:

“Today, writers such as Steven Johnson and C3 faculty advisor Jason Mittell argue that American television has reached an unprecedented level of narrative complexity and that some of the most successful shows on television – Lost (ABC, 2003-present), for example – are structured more like cult series than like mainstream hits of the past decade. The success of these series suggest that narrative complexity is no longer a niche interest, one which rewards fan mastery, but is now something all consumers demand of popular entertainment.”

Ford, Jenkins, and the team go on to recommend that fan communities should be studied closely to monitor for emerging trends, behaviors, and ways to treat media content that will quickly spread from niche culture into the mainstream.

As a witness to fans crafting fan fiction for the AMC drama Mad Men using Twitter, I’ve seen fans as lead users firsthand. Now Twitter is full of fictional characters for everything from media properties, famous novels, and even :30 spots. Fans from the Mad Men escapade have even started their own agency to provide similar efforts for other properties.

When I urge clients to look more closely at niche fan communities, I’m urging them to study the actions and social norms within these groups in order to identify any lead user behaviors that could go mainstream. Fans are creating unanticipated connections between technology, social groups, and media that will reward our attention. And the pace of the web demands we stay focused on centers of innovation, and more often, fan communities represent the undersea chimneys which give life to the next evolution of species.

We are Sterling Cooper

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I must confess. I’ve been leading a double life. On Twitter, I’ve been masquerading as Bud Melman, a mailroom clerk at Sterling Cooper Advertising in 1962. I also built WeAreSterlingCooper.org. And for a short period of time, I ran a wiki where I tried to get many of the other Mad Men characters to play along and create story arcs between episodes.

I’ve written a full report about my other life, along with what it could mean for the future of entertainment. Download Becoming a Mad Man.

So why did I do it? Because I’m a fan of the show; maybe even the biggest fan. Sunday nights were a solemn ritual of tuning in (ask Vanessa). I’d even buy the episode off iTunes the next day to watch on the train. I didn’t let anyone out of my sight without going on and on about what a great show it was. That’s what fans do, turn on new people to your show, product, etc. The more creative we get (like Mad Men twittering), the more effective we can be.

I wasn’t the first to come up with the idea of bringing a Mad Men character to life on Twitter, though. I just thought the idea was insanely brilliant and I wanted to play along, too. It didn’t work out quite how I had hoped, but I’m incredibly thankful for all the new people I’ve met and the support they’ve given me.

UPDATES

In a bit of “holy shit that’s awesome” news, I see that my report, Becoming a Mad Man, is part of Henry Jenkin’s syllabus for the fall course he’s teaching on Transmedia Storytelling at USC. It’s sure to be poked, prodded, and maybe even dismissed, but I’m incredibly honored for its inclusion in the course.

In addition, the report and my activities were recently cited in Grant McCracken’s latest book, Chief Culture Officer (p. 91)